Time to talk about:
Season 2 expresses this deviation theme via:
Season 2 contradicts what you did in season 1.
Everything you did in season 1, if it can be contradicted, do it. Friends are enemies. Lovers are broken up. Mainstay locations are rarely visited, if at all, etc.
The two most common ways you see this “contradiction” idea employed are:
- Role Reversals
- Authority Figures
In season 1, we established roles for our roster of characters.
In season 2, we want to take those roles, and flip ’em.
- The best friend becomes a rival.
- The rival becomes a friend.
- The teacher becomes a student, etc.
If your roster of characters wasn’t that strongly defined, then you could take a more subtle approach:
In season 2:
- The smart guy is pretty dumb.
- The meek guy shows a lot of courage.
- The tough guy shows his sensitive side, etc.
Let’s look at some concrete examples:
As we discussed with “stress tests” – early in season 2 of Nip/Tuck, Sean discovers his son Matt is not his biological son. This gave us a great stress test. But it also gives us a role reversal.
As Sean goes into a grief spiral, he starts acting more like Christian usually does: irresponsible, self-destructive, he’s drinking more, and having sex with Kimber – Christian’s ex-girlfriend. The responsible, conservative, Sean, has become the self-destructive loose-cannon. This also causes Christian, to behave more like Sean typically would. With Sean going into a tailspin, Christian’s holding things together at the office, being the responsible one, the stable one. A complete contraction to the Christian of season 1.
These two guys, these polar opposites, switch places. They reverse roles.
We see something similar on The O.C.
In season 1 of The O.C. we see Ryan constantly getting into trouble. Wrapped up in drama with Marissa, struggling in school, punching people when he thinks he needs to. Seth, on the other hand spends season 1 being the nice kid. Doing well in school, not drinking, always in before curfew.
But when season 2 hits, both of these guys pull a switch.
Ryan is specifically focusing on school and staying out of trouble. He’s staying away from Marissa and her drama, and he’s dating a nice girl Lindsay. While Seth is staying out late, dating the bad-girl Alex, coming home drunk, and constantly getting grounded.
Their roles in season 2, are a contradiction of their roles in season 1. But they didn’t just reverse roles with their former selves, they also reversed roles with each other.
Nip/Tuck and The O.C. would seem to have very little in common, but in this regard – they’re exactly the same.
In season 2, you commonly see this contradiction theme expressed in the context of authority figures.
A character who didn’t have authority before, becomes an authority figure now. Or an established authority figure loses that authority in season 2.
In season 1 of Roswell, Sheriff Valenti is seen as an enemy, trying to expose and catch our main character aliens.
In season 2, he’s embraced as a trusted friend and ally. He even goes so far as to lose his badge protecting them and their secret.
In season 1, he was the Bad-Guy sheriff authority figure out to get them. In season 2, he’s the the Good-Guy sheriff who loses his authority in his quest to help them.
In Prison Break season 1, Warden Pope is a constant presence, ruling over the prison. In season 2, the inmates escape, leaving the warden and his authority behind them.
While other supporting characters continued to appear on the show, the Warden and his authority appear only once in the very beginning of season 2 and then he’s gone from the narrative all together. His authority was all over season 1, and then very very absent in season 2.
When applying this contradiction concept to your story, you can reverse established roles, reverse your authority figures, or find any other way to contradict what’s come before.
Just make sure you do some contradictin’!