Story Shamans Podcast – Episode 3 – The Shield

SPOILERS:

The Shield, The O.C. kinda…, Game of Thrones kinda…

SHOW NOTES:


Related Shamans Videos to Check out:

Resolution of the Core Conflict

Core Concept

Impossible Decision

Season 4

Season 5

Season 6

Season 7

Seven Season Wrap Up!

Seven Season Wrap Up!

The seven seasons are all done. For convenience sake, we’ve put the entire structure in one place for easy reference.

Let’s get started!

Season 1

Dramatic Structure:

“Connection” expressed as ‘Identity’

  • Old vs. New Identities
  • Character Roles

“Positive” expressed as ‘New World’

  • New Circumstances/Location
  • Fresh Start

“Origins” expressed as ‘Old World’

  • Old Circumstances/Location
  • World Change

Dramatic Pace:

‘Establish Core Conflict’ and ‘Full Circle’

Dramatic Evolution:

‘Thesis’ and ‘Beginning of First Era’

Season 2

Dramatic Structure:

“Separation” expressed as ‘Stress Tests’

  • Romances
  • Friendships

“Negative” expressed as ‘Meaningful Death’

  • Family or Friend
  • Foe

“Deviation” expressed as ‘Contradiction’

  • Role Reversals
  • Authority Figures

Dramatic Pace:

‘New Blood’ for your roster of characters and ‘Dragonslay’

Dramatic Evolution:

‘Antithesis’ and ‘First Era Continued’

Season 3

Dramatic Structure:

“Connection” expressed as ‘Power’

  • Loss/Gain
  • Sexual Violence

“Positive” expressed as ‘Creation’

  • Newborns
  • Resurrections

“Origins” expressed as ‘Repercussions’

  • Debts
  • Revenge

Dramatic Pace:

‘Fallout’ and ‘Point of No Return: Circumstantially’

Dramatic Evolution:

‘Synthesis/Thesis’ and ‘End of First Era’

Season 4

Dramatic Structure:

“Separation” expressed as ‘Disbandments’

  • Partnerships
  • Marriages

“Negative” expressed as ‘Weirdness’

  • Invasive
  • Otherworldly

“Deviation” expressed as ‘Shake Up’

  • Change of Circumstances
  • Up the Ante

Dramatic Pace:

‘Even trade’ for your roster of characters and ‘Promotion’

Dramatic Evolution:

‘Antithesis’ and ‘Beginning of Second Era’

Season 5

Dramatic Structure:

“Connection” expressed as ‘Family’

  • Loss/Gain
  • Sacrifice

“Positive” expressed as ‘Salvation’

  • Protection
  • Redemption

“Origins” expressed as ‘Formation’

  • Relationships
  • Organizations

Dramatic Pace:

‘Impossible Decision’ and ‘Point of No Return: Emotionally’

Dramatic Evolution:

‘Synthesis/Thesis’ and ‘End of Second Era’

Season 6

Dramatic Structure:

“Separation” expressed as ‘Role Challenge’

  • Circumstantial
  • Emotional

“Negative” expressed as ‘Bummer’

  • Death
  • Trauma

“Deviation” expressed as ‘Destruction’

  • Mistakes
  • Decisions

Dramatic Pace:

‘Deficit’ for your roster of characters and ‘Test/Trial’

Dramatic Evolution:

‘Antithesis’ and ‘Beginning of Third Era’

Season 7

Dramatic Structure:

“Connection” expressed as ‘Legacy’

  • Descending
  • Ancestral

“Positive” expressed as ‘Individuality’

  • Loss/Gain
  • Mentorship

“Origins” expressed as ‘The Beginning’

  • Story
  • Show

Dramatic Pace:

‘Resolution of Core Conflict’ and ‘Point of No Return: Geographically’

Dramatic Evolution:

‘Synthesis’ and ‘End of Third Era/Series’

That’s it, Animals!



Seven Seasons – Variations

Variations

A while back, we defined “seasons” as a particular chunk of story with particular attributes. Much like an “act” in a movie. We then took you through all the different attributes of each season.

The seasons are defined by these attributes, it’s what makes a particular season different from the rest. This is an important distinction to understand when “variations” come into play.

Here at Story Shamans we make a clear distinction between a show’s “season”, based on structural content, and a show’s “year” based on the schedule in which it was released to an audience.

Ideally, your “seasons” and your “years” would line up perfectly.

Like we see with:

  • The Shield
  • The West Wing
  • The Wire
  • Buffy the Vampire Slayer
  • Sons of Anarchy

But, a “year” of a show and a “season” of a show won’t always be the same thing.

When this happens, it’s called a “variation.”

These variations come in many forms:

  • Continued Season
  • Season Jump
  • Mislabeled Season
  • Mash-up Season

Continued Season

When a season of content keeps on going into the next year.

The content should shift from one year to the next, moving the story forward from one season to the next. But with the “continued season” variation – it doesn’t.

It just keeps the same season content, across two (or more) years.

Dexter did this with its last year. Their season 8 is really just season 7 continued. Their season 7 started in year 7, and continued on through to year 8. It was just a big two parter.

One Tree Hill did the same thing for its fourth year. Year 4 wasn’t season 4, it was season 3 continued. Everybody is still in high school, playing out the events of their senior year, dragging out that first era.

Season Jump

When you jump to the next season, mid year.

Maybe you’re in season 4 and it turns out you’re getting cancelled. You don’t want to end your story on all the weirdness and shake up of season 4. So half-way through the year, you jump to season 5 content, to close out the era and the show.

This is exactly what The O.C. did. Year 4 starts out with our main characters living their post-high school lives. Scattered and grieving the loss of Marissa. That’s “change of circumstances,” “disbandments,” and “beginning of new era.” All season 4 stuff.

Then at the midpoint of the year, they resolve all of this stuff and jump straight into season 5 content:

Ryan’s Dad Frank comes to town to patch things up with his son – “family” and “salvation.” Ryan finds emotional solace in his new relationship with Taylor – more “salvation.” Sandy and Kirsten are going to have another baby – more “family.” Julie is dating both Bullit and Frank and has to choose between them. Will she marry for money or love? – “impossible decision.”

The show clearly transitions from season 4, straight into season 5. All in one year.

Prison Break did the exact same thing in their fourth year. Halfway through, they resolve the season 4 content, and move full-on into season 5 content.

Mislabeled Season

Imagine your favorite show is truckin’ along.

  • Year 1 = season 1
  • Year 2 = season 2
  • Year 3 = season 3
  • Year 4 = season 4
  • Year 5 = season 5

And then suddenly, the coming episodes are being advertised as “season 6 part 1,” and then “season 6 part 2” after that.

This variation is just a quirk of labeling.

It typically has nothing to do with the actual content and “seasons” of the show.

We see this happen with:

  • The Sopranos
  • Entourage
  • Nip/Tuck
  • Rescue Me
  • Mad Men
  • Breaking Bad
  • Teen Wolf
  • The Walking Dead

For The Sopranos, their seasons matched their years, all the way up until the end – when suddenly they had “season 6 part 1” and “season 6 part 2.” That’s what the marketing team called them anyway. But really, content-wise, it was just season 6 and season 7.

With Entourage, their season 3 was supposedly broken up into “season 3 part 1” and “season 3 part 2.” But structurally, it was really just season 3 and season 4.

These distinctions are usually business decisions, not creative ones.

Mash-Up Season

With the “season jump” variation, we saw clear examples of shows blowing through two seasons worth of content, over the span of one year. And they did it sequentially. Year 4 of The O.C. first spent time on season 4 material, then moved on to season 5 material.

The “mash-up” is different. Instead of doing two seasons sequentially…

You’re doing two seasons simultaneously.

We see this in:

  • Veronica Mars
  • Alias
  • Battlestar Galactica (2004-2009)

Veronica Mars:

At the beginning of their third year, we see elements of both season 3 and season 4. Veronica is working a new case, chasing down a serial rapist. That’s “power,” “sexual violence,” – exactly what you would expect in a season 3. But she’s also starting college. That’s “shake up,” “even trade of characters,” – exactly what you would expect in a season 4. It’s both seasons, at the same time. Structurally, you would expect one more year of high school playing out season 3 elements. But they’re jumping the gun and incorporating season 4 ideas as well. This is a classic “mash-up.”

When looking at different shows, you’re going to see all kinds of variations. And quite often, you’ll see more than one type of variation during a show’s run.

Veronica Mars had a crazy third year.

Year 3 started as a mash-up of seasons 3, and 4. Then it jumped fully into season 4 territory. Then briefly jumped to season 5, right at the end there. That’s 3 seasons, all in one year.

Alias had a couple of variations as well.

Over the course of the show they had…

  • A “jump” variation: Year 2 = season 2, then season 3.
  • A “mash-up” variation: Year 5 was simultaneously seasons 6 and 7.

Take a look at the new Battlestar Galactica (2004-2009).

It’s nuts. Once you think you’ve got a firm grasp on the seven seasons, go ahead and watch Battlestar Galactica‘s 4 year run and see if you can piece together just how many seasons they cover.

I’ll give you a hint: It’s all 7.

There are all kinds of combinations and permutations of the seven seasons and how they work across the years a show is on the air. It works best when each year corresponds to each season of a story. But some times, as a matter of necessity, variations are needed.



Season 5 (part 5) – Synthesis/Thesis & End of 2nd Era

Season 5

Time to wrap up season 5, and the entire second era of your story with its…

Dramatic Evolution

Has two main elements:

  • Synthesis/Thesis
  • End of Second Era

Synthesis/Thesis

Let’s get back to our Spider-Man show example:

  • Season 1 had a “thesis.”
  • Season 2 had an “antithesis.”
  • Season 3 combined and evolved out of them in a “synthesis.”

That season 3 “synthesis” simultaneously served as the new era’s “thesis.”

So…

  • Season 3 was a “thesis/synthesis.”
  • Season 4 was its “antithesis.”

Here in season 5, it’s time for another “synthesis.”

A “synthesis” of the “dramatic evolution” themes of seasons 3 and 4.

What’s that look like? Let’s recap:

Season 3’s thesis:

“With great power, comes great honor.”

Season 4’s antithesis:

“With great power, comes great corruption.”

For season 5’s synthesis, how about:

“With great power, comes great humility.”

You can see how this idea grows out of the previous two. Our hero had great power and carried it with honor in season 3. In season 4, he was corrupted by it. Now, coming out the other side of that corruption, he’s come to a place of true humility with regards to that power.

Once again, we’ve synthesized and evolved the dramatic evolution themes.

“With great power, comes great humility.”

This “synthesis” also, simultaneously, serves as the “thesis” for the next era.

  • Season 3 was the “thesis” for the second era.
  • Season 5 is the “thesis” for the third era.

So when we get to season 6 comin’ up, it will be an “antithesis” to this season 5 “thesis.”

End of Second Era

This season 4/5 era, needs to come to a close.

Let’s take a look at how Friday Night Lights did it:

The second era, seasons 4 and 5, was all about Eric Taylor coaching the East Dillon Lions. At the end of season 5, Eric and his wife Tami leave Dillon Texas, so that Tami can accept her dream job as Dean of Admissions at the prestigious Braemore College in Philadelphia. Eric takes a position out there as well, coaching yet another high school football team.

The era of Eric Taylor coaching the East Dillon Lions, has definitely come to a close. He’s moved towns, he’s moved schools, he’s moved on.

When crafting your season 5, your dramatic evolution demands that you make season 5 a synthesis of the previous two seasons, as well as pay attention to closing out the end of the story’s second era.