Story Shamans Podcast – Episode 7 – Spartacus

SPOILERS

Spartacus

SHOW NOTES:

  • What’s Kubrick’s Spartacus?
    Stanley Kubrick put out a flick about Spartacus back in 1960. Check out the trailer here.
  • On Andy’s passing and Liam taking over the role of Spartacus.
  • You’ll continually hear us refer to the seasons of this show with numbers:

    Blood and Sand = season 1.
    Gods of the Arena = season 0.
    Vengeance = season 2.
    War of the Damned = season 3.

    Chronological progression of the story inside the narrative:
    (0) Gods of the Arena
    (1) Blood and Sand
    (2) Vengeance
    (3) War of the Damned

    Release order of the seasons to the audience:
    (1) Blood and Sand
    (0) Gods of the Arena
    (2) Vengeance
    (3) War of the Damned

  • Rome did eventually fall for a variety of reasons.
  • Spartacus Tribute (by Zurik23M):
  • Recasting Naevia


Related Shamans Videos to Check Out:

The Seven Seasons

Season 2

Dragonslay

Moment Cubby

Moral Cubby

Emotion Cubby

Desire Cubby

Season 2 (part 4) – New Blood & Dragonslay

Season 2

Dramatic Pace

It has two traits:

  • New Blood
  • Dragonslay

New Blood

“New blood” refers to your roster of characters.

In season 2, you want to introduce new characters.

Add some new blood.

Usually, you’ll see these characters acting as agents of the different season 2 themes. Characters are brought into the story to supply a stress test, or a meaningful death, or any other form of contradiction.

Say there’s a death in the family – maybe an authority figure. Say a main character’s father. Upon his death, Uncle So-and-So comes to town and plans on sticking around. Here you have one character satisfying several different needs for season 2.

Or maybe two of your main characters break up at the end of season 1, and in season 2 they both have new love interests. These new love interests, would typically be your “new blood.”

Let’s look at some examples:

In LOST season 2, we finally get that hatch open and find Desmond inside. He’s some definite new blood, that will be sticking around for the rest of the story. We also meet the “Tailies” – specifically Ana Lucia, Libby, Bernard, and Mr. Eko. Not to mention the mysterious “Henry Gale” aka Ben Linus, who’s pretty much the leader of “The Others.” All new blood – some sticking around longer than others.

LOST has a lot of characters already, but in season 2 they add a half dozen new ones. That’s a lot of new blood.

In season 2 of Grey’s Anatomy we see the addition of Addison – Derek’s wife, Derek’s best friend Mark “McSteamy” Sloan – the guy Addison cheated with, and towards the end of season 2, we see the addition of Callie Torres, a love interest for George. All significant characters that remain on the show for many years to come.

New Blood. Add new characters in season 2. You get the idea.

Dragonslay

What’s a “dragon?”

Anything that wasn’t resolved in season 1, and specifically wasn’t contradicted in season 2.

It just stayed the same, playing itself out throughout seasons 1 and 2. That’s a dragon. And it should be slayed, and resolved, by the end of season 2.

Why call it a “dragon?” It’s the beast that’s remained. The beast that keeps growing and thriving until your kill it.

What does this look like in practice?

A Bad Guy your main characters have been fighting since season 1. Maybe you didn’t take him out in season 1. He’s still here in season 2. He’s a dragon. And you better slay him by the end of season 2, or you’re dragging it out too long.

“Dramatic pace” is all about the pace of your story. If something has persisted through season 1 and season 2 and hasn’t really changed, then it’s time to finish it.

How about a different example of a dragon:

You could have a couple who’re engaged in season 1. In season 2 you didn’t contradict it, they are still engaged. By the end of season 2, you should hit that wedding. Or the end of the engagement. If you don’t, you’re dragging that piece of story out too long.

How about some real examples:

In Supernatural, your dragon is the all-powerful demon “Yellow-Eyes” aka “Azazel.” He’s been the big Bad-Guy the Winchester’s have been chasing since day one. And in the season 2 finale, Dean puts a magic bullet in his chest, killing him for good.

Not too long, not too short – that’s a solid pace.

In Alias season 2, we see SD-6 finally get raided and shut down by the real CIA. SD-6 was the dragon, and in season 2 we see it slayed.

So whatever dragons you have lingering around in season 2 – slay ’em.



Season 1 (part 3) – Old World

Season 1

Dramatic Structure:

There are 3 areas of concern:

Let’s turn our attention to:

Origin

When we say “origins” we’re talking about any events that occurred before the present day of your story. Anything from the past that you might call “history.”

This “origin” idea is something that seasons 1, 3, 5, and 7 all deal with in their own way.

Season’s 1’s origin theme is expressed as:

“Old World”

This means that season 1 will spend time establishing and exploring the old circumstances, the old locations, the old relationships of your characters, etc. Season 1 will incorporate elements from the events that occurred before the “new world” was entered into.

There are two common ways that long from stories tend to express this “old world” theme in the context of origins:

  • Old Circumstances and/or Old Location
  • World Change

Old Circumstances and/or Old Location

Here you show the audience what the old circumstances and old location were like.

At the very beginning of Battlestar Galactica – (2004-2009) our characters had to flee their home planet due to a Cylon attack. Through the course of season 1, we get an idea of what our character’s lives were like before that tragedy. We get enough information to understand what their old world was like. This is important, as it helps define who they are now, and what their new life is like, in contrast to how the world used to be.

We see something similar on Veronica Mars. Throughout season 1, we get an idea of what Veronica’s life was like back when she was part of the popular “09’er” crowd. Back before she was a P.I., before her friend Lilly was killed, and before she herself was sexually assaulted.

World Change

The “world change” is that moment when your “old world” fully kicks over into the “new world.”

It’s a defining moment in your story. It’s the moment the rest of your story will grow out of. The catalyst that sets everything in motion.

In The Walking Dead, this world change happened off screen while Rick was in a coma. The story didn’t dramatize the walkers overrunning the world. But it most definitely happened – kicking off the rest of the story.

In Alias, the world change was when Sydney’s fiancé was killed and she discovered the truth about SD-6 and her father. Her old world of believing she’s working for the real CIA is over, and she’s in the new world of working as a double agent to bring down SD-6.

Both solid world changes.