- Act 1
- Act 2
- Act 3
- Act 4
- All Videos In Release Order
- Dramatic Evolution
- Dramatic Pace
- Dramatic Structure
- Season 1
- Season 2
- Season 3
- Season 4
- Season 5
- Season 6
- Season 7
- Season 8
- Seven Seasons
- story shamans podcast
The Shield, The O.C. kinda…, Game of Thrones kinda…
Seven Season Wrap Up!
The seven seasons are all done. For convenience sake, we’ve put the entire structure in one place for easy reference.
Let’s get started!
- Old vs. New Identities
- Character Roles
- New Circumstances/Location
- Fresh Start
- Old Circumstances/Location
- World Change
- Family or Friend
- Role Reversals
- Authority Figures
- Sexual Violence
- Change of Circumstances
- Up the Ante
That’s it, Animals!
Season 6 has 3 areas of concern:
Let’s take a look at season 6’s…
How does season 6 do it?
When we say “role challenge” we mean that you take a character’s role in the story, and you challenge that role. You present a genuine difficulty to the part they play in the bigger picture. Who they typically are, or the function the typically serve in the group, is going to be challenged.
When challenging a character’s role…
There are two main ways to go about it:
A “circumstantial” role challenge, is what we see in season 6 of Rescue Me.
Throughout season 6, the city is actively trying to shut down the firehouse, leaving our crew out of a job. Their roles as firemen are being directly challenged by the circumstances around them. If you take their jobs, they literally can’t be firemen.
This is a really clear-cut example. They identify heavily with being firemen, and you have circumstances threaten to take that away from them. But that’s not the only way you can have circumstances challenge your character’s roles. You could give them an injury, utilize a location change, force them into a new job, or transform the character into a different way of being.
An “emotional” role challenge is a little different.
For a good example of this, let’s look at season 6 of Supernatural.
Coming off of the events of season 5, Sam has lost his soul. Without his soul, he has no conscience. He’s brutal and emotionless. This directly challenges his role as a hunter. It makes him brash and reckless. And almost more importantly, it directly challenges his role as the compassionate side of the Sam/Dean duo. Sam isn’t himself without his soul. Its absence directly challenges his normal role, and his life.
In a general sense, you’ll typically see shows utilize an emotional role challenge as the result of grief. When a character is bummed out, it disrupts everything in their life. They can’t do what they normally do and they can’t be who they normally are. Grief has a way of changing people.
So in season 6, make sure to service the separation theme through some role challenges. Typically, you’ll do this via circumstantial challenges and emotional challenges.
Has 3 areas of concern:
Time for that…
Season 4 deals with its deviation theme via:
How can one shake things up?
Two main ways:
- Changing the Circumstances
- Upping the Ante
It’s exactly what it sounds like.
The first era, seasons 1, 2, and 3, had a shared circumstance. In season 4, you need to change that circumstance – shake it up.
This is what we see on The O.C.
Season 4 sees our main characters having graduated from high school, and now living their post-high-school-lives. Summer’s across the country at college. Seth is waiting to hear from RISD for his late admission. And Ryan’s working and living in a bar, knee-deep in a depressive spiral. Season 4 also plays out how everyone is dealing with Marissa’s death, which occurred at the end of season 3. This isn’t just the new “post-high-school” circumstance, it’s the new “post-Marissa” circumstance.
There’s a bunch of ways to shake things up. Let’s look at a seemingly similar, but very different, way to do it:
The Vampire Diaries is essentially a high school show. But they didn’t want to leave the high school setting behind quite yet, so they changed the circumstance in a different way. In season 4, our main character Elena becomes a vampire. She spent the first three seasons as a human. She also spent the first three seasons romantically involved with Stefan. Come season 4 – she’s no longer human, and her romance with Damon is in full swing. Leaving high school seems like an obvious choice to shake things up, but by digging a little deeper, The Vampire Diaries was able to significantly shake things up, while still keeping their practical setting.
By this, we mean to make the stakes of the story that much more dire, that much bigger, that much harder and more intense. From a character point of view, they’ve gotta invest more, they’ve gotta have more to lose.
This means different things for different stories.
In Grey’s Anatomy season 4, our characters went from being surgical interns, to full-blown residents – in charge of their own interns. They moved up a level, and now things are that much harder and challenging.
When a story is based around careers, it’s very straight forward to up the ante in this way. But what about a different kind of story?
Supernatural season 4 ups the ante by introducing angels to the story. For the first era, it was humans fighting demons and monsters. By introducing angels to the story you have greatly expanded the mythos – significantly upping the ante. Especially considering that these angels have tasked the Winchesters with preventing the escape of the devil himself. This is huge for a couple of monster hunters. The stakes just jumped up a couple of levels as they go from two brothers hunting down urban legends, to straight up super heroes trying to save the world.
However you do it, whichever way is best for your story – you have to shake things up. This is usually done by changing the circumstances and upping the ante.