Seven Season Wrap Up!

Seven Season Wrap Up!

The seven seasons are all done. For convenience sake, we’ve put the entire structure in one place for easy reference.

Let’s get started!

Season 1

Dramatic Structure:

“Connection” expressed as ‘Identity’

  • Old vs. New Identities
  • Character Roles

“Positive” expressed as ‘New World’

  • New Circumstances/Location
  • Fresh Start

“Origins” expressed as ‘Old World’

  • Old Circumstances/Location
  • World Change

Dramatic Pace:

‘Establish Core Conflict’ and ‘Full Circle’

Dramatic Evolution:

‘Thesis’ and ‘Beginning of First Era’

Season 2

Dramatic Structure:

“Separation” expressed as ‘Stress Tests’

  • Romances
  • Friendships

“Negative” expressed as ‘Meaningful Death’

  • Family or Friend
  • Foe

“Deviation” expressed as ‘Contradiction’

  • Role Reversals
  • Authority Figures

Dramatic Pace:

‘New Blood’ for your roster of characters and ‘Dragonslay’

Dramatic Evolution:

‘Antithesis’ and ‘First Era Continued’

Season 3

Dramatic Structure:

“Connection” expressed as ‘Power’

  • Loss/Gain
  • Sexual Violence

“Positive” expressed as ‘Creation’

  • Newborns
  • Resurrections

“Origins” expressed as ‘Repercussions’

  • Debts
  • Revenge

Dramatic Pace:

‘Fallout’ and ‘Point of No Return: Circumstantially’

Dramatic Evolution:

‘Synthesis/Thesis’ and ‘End of First Era’

Season 4

Dramatic Structure:

“Separation” expressed as ‘Disbandments’

  • Partnerships
  • Marriages

“Negative” expressed as ‘Weirdness’

  • Invasive
  • Otherworldly

“Deviation” expressed as ‘Shake Up’

  • Change of Circumstances
  • Up the Ante

Dramatic Pace:

‘Even trade’ for your roster of characters and ‘Promotion’

Dramatic Evolution:

‘Antithesis’ and ‘Beginning of Second Era’

Season 5

Dramatic Structure:

“Connection” expressed as ‘Family’

  • Loss/Gain
  • Sacrifice

“Positive” expressed as ‘Salvation’

  • Protection
  • Redemption

“Origins” expressed as ‘Formation’

  • Relationships
  • Organizations

Dramatic Pace:

‘Impossible Decision’ and ‘Point of No Return: Emotionally’

Dramatic Evolution:

‘Synthesis/Thesis’ and ‘End of Second Era’

Season 6

Dramatic Structure:

“Separation” expressed as ‘Role Challenge’

  • Circumstantial
  • Emotional

“Negative” expressed as ‘Bummer’

  • Death
  • Trauma

“Deviation” expressed as ‘Destruction’

  • Mistakes
  • Decisions

Dramatic Pace:

‘Deficit’ for your roster of characters and ‘Test/Trial’

Dramatic Evolution:

‘Antithesis’ and ‘Beginning of Third Era’

Season 7

Dramatic Structure:

“Connection” expressed as ‘Legacy’

  • Descending
  • Ancestral

“Positive” expressed as ‘Individuality’

  • Loss/Gain
  • Mentorship

“Origins” expressed as ‘The Beginning’

  • Story
  • Show

Dramatic Pace:

‘Resolution of Core Conflict’ and ‘Point of No Return: Geographically’

Dramatic Evolution:

‘Synthesis’ and ‘End of Third Era/Series’

That’s it, Animals!



Season 3 (part 5) – Synthesis/Thesis & End of 1st Era

Season 3

Time to talk about season 3’s…

Dramatic Evolution

Here we’re not just finishing up season 3 – we’re finishing up the entire first era of your show.

The “Dramatic Evolution” of season 3 has two elements:

  • Synthesis/Thesis
  • End of First Era

Synthesis/Thesis

First, this refers to the fact that season 3 synthesizes the dramatic evolution themes of seasons 1 and 2.

In our “Spider-Man” show we had…

The “thesis” statement for season 1:

“With great power, comes great responsibility.”

We flipped this idea in season 2:

“With great power, comes great freedom.”

And now in season 3, we need to smash these two ideas together and transcend them, to create a third idea.

This is where dramatic evolution truly gets its name. This third idea needs to both combine, and evolve, the two ideas.

For season 3, let’s say:

“With great power, comes great honor.”

To understand how honor is the synthesis of responsibility and freedom, we first have to define honor. Having honor – is dedication (like responsibility), but done willingly and by choice (like freedom), for a greater purpose.

This idea, that the responsibility and freedom combine into a more refined idea of freely-chosen-dedication, is how this “synthesis” theme not only combines the previous ideas, but adds to and evolves from them.

There’s a natural progression at play here, an evolution from one idea to the next, to the next.

Another way to say it would be:

  • “It’s a burden to be Spider-Man.”
  • “It’s a blessing to be Spider-Man.”
  • “It’s an honor to be Spider-Man.”

Then, this new idea:

“With great power, comes great honor” serves not only as the dramatic evolution “synthesis” for the first era. It is also, simultaneously, the “thesis” for the next era.

So when we get to the dramatic evolution “antithesis” of season 4, it will be a reaction to this season 3 “thesis.” As we’ll see when we look at season 4.

End of First Era

In discussing season 3’s dramatic pace, we discussed the “point of no return.” This “point of no return” is the way in which you tell your audience that the era is ending.

But this idea that season 3 is the “end of your first era” isn’t just about how you narratively end the season. It’s about how you treat the entire run of the season.

This is the last season with these particular circumstances.

So tell all the stories you want to tell that belong in this “first era,” because their days are almost over.

Let’s look at Prison Break:

The first era was all about prison. Fox River in season 1, fugitives on the run from prison in season 2, then back in the chaotic Sona prison for season 3. At the end of season 3, the prison circumstances have run their course. It’s time to move on.

In the second era, the show shifts from the prison theme, to the conspiracy theme we see for the rest of the story.

So when looking at your dramatic evolution for season 3, be sure to synthesize seasons 1 and 2 into something that combines and transcends them both – but also make sure to close out the circumstances of the era, because after this season – it’s all new!



Season 1 (part 3) – Old World

Season 1

Dramatic Structure:

There are 3 areas of concern:

Let’s turn our attention to:

Origin

When we say “origins” we’re talking about any events that occurred before the present day of your story. Anything from the past that you might call “history.”

This “origin” idea is something that seasons 1, 3, 5, and 7 all deal with in their own way.

Season’s 1’s origin theme is expressed as:

“Old World”

This means that season 1 will spend time establishing and exploring the old circumstances, the old locations, the old relationships of your characters, etc. Season 1 will incorporate elements from the events that occurred before the “new world” was entered into.

There are two common ways that long from stories tend to express this “old world” theme in the context of origins:

  • Old Circumstances and/or Old Location
  • World Change

Old Circumstances and/or Old Location

Here you show the audience what the old circumstances and old location were like.

At the very beginning of Battlestar Galactica – (2004-2009) our characters had to flee their home planet due to a Cylon attack. Through the course of season 1, we get an idea of what our character’s lives were like before that tragedy. We get enough information to understand what their old world was like. This is important, as it helps define who they are now, and what their new life is like, in contrast to how the world used to be.

We see something similar on Veronica Mars. Throughout season 1, we get an idea of what Veronica’s life was like back when she was part of the popular “09’er” crowd. Back before she was a P.I., before her friend Lilly was killed, and before she herself was sexually assaulted.

World Change

The “world change” is that moment when your “old world” fully kicks over into the “new world.”

It’s a defining moment in your story. It’s the moment the rest of your story will grow out of. The catalyst that sets everything in motion.

In The Walking Dead, this world change happened off screen while Rick was in a coma. The story didn’t dramatize the walkers overrunning the world. But it most definitely happened – kicking off the rest of the story.

In Alias, the world change was when Sydney’s fiancé was killed and she discovered the truth about SD-6 and her father. Her old world of believing she’s working for the real CIA is over, and she’s in the new world of working as a double agent to bring down SD-6.

Both solid world changes.