Now that we’ve covered the method for structuring short form stories, aka “cubbies,” – let’s get down to the big daddy of storytelling:
This is the method for structuring long form stories.
The “seven seasons” refer to the seven distinct chunks that comprise a multi-part story. We’re talking about a T.V. series, a book series, a series of films, you name it.
You’ve got seasons 1, 2, 3, 4, 5, 6, and 7.
We’re using the term “season” here in a similar way to the use of the term “act” in a film’s structure.
An “act” is a specific chunk of story with certain narrative elements. The same holds true for these “seasons.” They are chunks of story defined by their specific concerns. Their particular needs and traits, unique from the concerns of other seasons.
What these specific needs are, will be our main focus when we take a look at each season individually. But when they all come together, the seasons create a large sprawling narrative, greater than the sum of its parts.
Let’s take a look at this seven season beast:
When you really look at it, from a top-down view, your entire long form story can be broken up into three overall…
The first, second, and third eras of your series.
Seasons 1, 2, 3 = 1st Era.
Seasons 4, 5 = 2nd Era.
Seasons 6, 7 = 3rd & final Era.
We’ll get into more detail later about the specific qualities of these “eras.” But for now, just know that they’re there. They’re an important part of the larger structure of your series.
Each season, in the grand structure of your series, has three levels to consider.
“Dramatic Structure” itself, has three different areas of concern:
These three areas of concern alternate between the seasons, as your story progresses.
Seasons 1, 3, 5, and 7 are of the first type:
- “Connection,” “Positive,” and “Origin” focused.
Seasons 2, 4, and 6 are all of the second type:
- “Separation,” “Negative,” and “Deviation” focused.
This alternation creates the pulse of the drama in your long form story.
You can’t mess with this pulse. It’s the heartbeat, the rhythm of your series. You lose that, it’s hard to recover from. It pulses this way for each of the three “dramatic structure” areas of concern:
- Season 1: Connection.
- Season 2: Separation.
- Season 3: Connection.
- Season 4: Separation.
- Season 5: Connection.
- Season 6: Separation.
- Season 7: Connection.
- Season 1: Positive.
- Season 2: Negative.
- Season 3: Positive.
- Season 4: Negative.
- Season 5: Positive.
- Season 6: Negative.
- Season 7: Positive.
- Season 1: Origin.
- Season 2: Deviation.
- Season 3: Origin.
- Season 4: Deviation.
- Season 5: Origin.
- Season 6: Deviation.
- Season 7: Origin.
We’ll get all up in the specifics of this pulsing when we discuss each season in turn. Each season has its own unique expression of these three areas and their ideas.
This deals with the pacing of your story, how the seasons flow from one to the next, and how they relate.
Our discussion of “eras” will become important when talking about the “dramatic pace.” Again, we’ll get more into the details when we approach each season in turn.
This is all about how your story evolves over time.
The things you need to do to change and grow your story organically as time progresses. Again, we’ll dig into the deets, as we discuss each season individually.