Seven Season Wrap Up!

Seven Season Wrap Up!

The seven seasons are all done. For convenience sake, we’ve put the entire structure in one place for easy reference.

Let’s get started!

Season 1

Dramatic Structure:

“Connection” expressed as ‘Identity’

  • Old vs. New Identities
  • Character Roles

“Positive” expressed as ‘New World’

  • New Circumstances/Location
  • Fresh Start

“Origins” expressed as ‘Old World’

  • Old Circumstances/Location
  • World Change

Dramatic Pace:

‘Establish Core Conflict’ and ‘Full Circle’

Dramatic Evolution:

‘Thesis’ and ‘Beginning of First Era’

Season 2

Dramatic Structure:

“Separation” expressed as ‘Stress Tests’

  • Romances
  • Friendships

“Negative” expressed as ‘Meaningful Death’

  • Family or Friend
  • Foe

“Deviation” expressed as ‘Contradiction’

  • Role Reversals
  • Authority Figures

Dramatic Pace:

‘New Blood’ for your roster of characters and ‘Dragonslay’

Dramatic Evolution:

‘Antithesis’ and ‘First Era Continued’

Season 3

Dramatic Structure:

“Connection” expressed as ‘Power’

  • Loss/Gain
  • Sexual Violence

“Positive” expressed as ‘Creation’

  • Newborns
  • Resurrections

“Origins” expressed as ‘Repercussions’

  • Debts
  • Revenge

Dramatic Pace:

‘Fallout’ and ‘Point of No Return: Circumstantially’

Dramatic Evolution:

‘Synthesis/Thesis’ and ‘End of First Era’

Season 4

Dramatic Structure:

“Separation” expressed as ‘Disbandments’

  • Partnerships
  • Marriages

“Negative” expressed as ‘Weirdness’

  • Invasive
  • Otherworldly

“Deviation” expressed as ‘Shake Up’

  • Change of Circumstances
  • Up the Ante

Dramatic Pace:

‘Even trade’ for your roster of characters and ‘Promotion’

Dramatic Evolution:

‘Antithesis’ and ‘Beginning of Second Era’

Season 5

Dramatic Structure:

“Connection” expressed as ‘Family’

  • Loss/Gain
  • Sacrifice

“Positive” expressed as ‘Salvation’

  • Protection
  • Redemption

“Origins” expressed as ‘Formation’

  • Relationships
  • Organizations

Dramatic Pace:

‘Impossible Decision’ and ‘Point of No Return: Emotionally’

Dramatic Evolution:

‘Synthesis/Thesis’ and ‘End of Second Era’

Season 6

Dramatic Structure:

“Separation” expressed as ‘Role Challenge’

  • Circumstantial
  • Emotional

“Negative” expressed as ‘Bummer’

  • Death
  • Trauma

“Deviation” expressed as ‘Destruction’

  • Mistakes
  • Decisions

Dramatic Pace:

‘Deficit’ for your roster of characters and ‘Test/Trial’

Dramatic Evolution:

‘Antithesis’ and ‘Beginning of Third Era’

Season 7

Dramatic Structure:

“Connection” expressed as ‘Legacy’

  • Descending
  • Ancestral

“Positive” expressed as ‘Individuality’

  • Loss/Gain
  • Mentorship

“Origins” expressed as ‘The Beginning’

  • Story
  • Show

Dramatic Pace:

‘Resolution of Core Conflict’ and ‘Point of No Return: Geographically’

Dramatic Evolution:

‘Synthesis’ and ‘End of Third Era/Series’

That’s it, Animals!



Season 3 (part 1) – Power

Season 3

Dramatic Structure:

There are 3 areas of concern:

Its:

Connection

theme is expressed through the idea of:

“Power”

It’s all about power.

This “power” theme has two common ways of being expressed:

  • Loss/Gain
  • Sexual Violence

Loss or Gain of Power

It’s exactly what it sounds like. Some element of your story, like a character or an organization, will either gain power they didn’t have before, or lose the power they already had.

Let’s look at some examples:

At the end of the second season of LOST, Desmond turned the key in the floor of the hatch station. When we pick up with him in season 3, he’s gained the superpower of having premonitions and mentally jumping around in his own timeline. That’s some power – gained.

In Mad Men season 3, we see Sterling Cooper bought by P.P.L. – Putnam, Powell, and Lowe. Our characters now have bosses. Bosses that now control the direction of their company. This is a clear case of power – lost.

Sexual Violence

In season 3, you’ll commonly see instances of sexual violence. Why? Because it’s not really about the sex. It’s all about power.

Let’s put our peepers on some examples:

In season 3 of Nip/Tuck the main bad-guy of the season is “The Carver.” He was first introduced at the end of season 2, but season 3 is all about him. He’s a serial rapist who likes to disfigure people’s faces. Yikes. He’s even attacked one of our main characters, Christian. The character of the Carver is this “sexual violence” idea made manifest. He’s all about rape and violence, specifically as a means of power.

In The Shield season 3, Aceveda gets raped at gunpoint. In that moment, he is powerless to stop it. We see another level of this power idea at play when Aceveda later uses his power as a police captain to completely destroy the life of his attacker. Power lost, and power leveraged.

While we’re talkin’ about The Shield, let’s dig a little deeper.

Season 3 also sees the inclusion of the serial “Cuddler” rapist character, William Faulks. He rapes victims, cuddles with them, and towards the end – starts murdering them. The interesting part about this instance of sexual violence, is that Dutch is convinced that the raping and the killing are all about exerting power. But once the Cuddler is caught, he explains that it was never about that. For him, it was about that unexplainable thing he feels when he watches his victims die. He asks Dutch to explain what that thing is to him. But Dutch can’t do it, he doesn’t understand it. Dutch’s big case culminates in him feeling completely powerless to explain the very thing he thinks himself an expert in – the inner workings of the criminal mind.

Everywhere you look it’s all about power.