Story Shamans Podcast – Episode 3 – The Shield

SPOILERS:

The Shield, The O.C. kinda…, Game of Thrones kinda…

SHOW NOTES:


Related Shamans Videos to Check out:

Resolution of the Core Conflict

Core Concept

Impossible Decision

Season 4

Season 5

Season 6

Season 7

Seven Season Wrap Up!

Seven Season Wrap Up!

The seven seasons are all done. For convenience sake, we’ve put the entire structure in one place for easy reference.

Let’s get started!

Season 1

Dramatic Structure:

“Connection” expressed as ‘Identity’

  • Old vs. New Identities
  • Character Roles

“Positive” expressed as ‘New World’

  • New Circumstances/Location
  • Fresh Start

“Origins” expressed as ‘Old World’

  • Old Circumstances/Location
  • World Change

Dramatic Pace:

‘Establish Core Conflict’ and ‘Full Circle’

Dramatic Evolution:

‘Thesis’ and ‘Beginning of First Era’

Season 2

Dramatic Structure:

“Separation” expressed as ‘Stress Tests’

  • Romances
  • Friendships

“Negative” expressed as ‘Meaningful Death’

  • Family or Friend
  • Foe

“Deviation” expressed as ‘Contradiction’

  • Role Reversals
  • Authority Figures

Dramatic Pace:

‘New Blood’ for your roster of characters and ‘Dragonslay’

Dramatic Evolution:

‘Antithesis’ and ‘First Era Continued’

Season 3

Dramatic Structure:

“Connection” expressed as ‘Power’

  • Loss/Gain
  • Sexual Violence

“Positive” expressed as ‘Creation’

  • Newborns
  • Resurrections

“Origins” expressed as ‘Repercussions’

  • Debts
  • Revenge

Dramatic Pace:

‘Fallout’ and ‘Point of No Return: Circumstantially’

Dramatic Evolution:

‘Synthesis/Thesis’ and ‘End of First Era’

Season 4

Dramatic Structure:

“Separation” expressed as ‘Disbandments’

  • Partnerships
  • Marriages

“Negative” expressed as ‘Weirdness’

  • Invasive
  • Otherworldly

“Deviation” expressed as ‘Shake Up’

  • Change of Circumstances
  • Up the Ante

Dramatic Pace:

‘Even trade’ for your roster of characters and ‘Promotion’

Dramatic Evolution:

‘Antithesis’ and ‘Beginning of Second Era’

Season 5

Dramatic Structure:

“Connection” expressed as ‘Family’

  • Loss/Gain
  • Sacrifice

“Positive” expressed as ‘Salvation’

  • Protection
  • Redemption

“Origins” expressed as ‘Formation’

  • Relationships
  • Organizations

Dramatic Pace:

‘Impossible Decision’ and ‘Point of No Return: Emotionally’

Dramatic Evolution:

‘Synthesis/Thesis’ and ‘End of Second Era’

Season 6

Dramatic Structure:

“Separation” expressed as ‘Role Challenge’

  • Circumstantial
  • Emotional

“Negative” expressed as ‘Bummer’

  • Death
  • Trauma

“Deviation” expressed as ‘Destruction’

  • Mistakes
  • Decisions

Dramatic Pace:

‘Deficit’ for your roster of characters and ‘Test/Trial’

Dramatic Evolution:

‘Antithesis’ and ‘Beginning of Third Era’

Season 7

Dramatic Structure:

“Connection” expressed as ‘Legacy’

  • Descending
  • Ancestral

“Positive” expressed as ‘Individuality’

  • Loss/Gain
  • Mentorship

“Origins” expressed as ‘The Beginning’

  • Story
  • Show

Dramatic Pace:

‘Resolution of Core Conflict’ and ‘Point of No Return: Geographically’

Dramatic Evolution:

‘Synthesis’ and ‘End of Third Era/Series’

That’s it, Animals!



Season 4 (part 3) – Shake Up

Season 4

Dramatic Structure:

Has 3 areas of concern:

Time for that…

Deviation

Season 4 deals with its deviation theme via:

“Shake Up”

How can one shake things up?

Two main ways:

  • Changing the Circumstances
  • Upping the Ante

Changing the Circumstances

It’s exactly what it sounds like.

The first era, seasons 1, 2, and 3, had a shared circumstance. In season 4, you need to change that circumstance – shake it up.

This is what we see on The O.C.

Season 4 sees our main characters having graduated from high school, and now living their post-high-school-lives. Summer’s across the country at college. Seth is waiting to hear from RISD for his late admission. And Ryan’s working and living in a bar, knee-deep in a depressive spiral. Season 4 also plays out how everyone is dealing with Marissa’s death, which occurred at the end of season 3. This isn’t just the new “post-high-school” circumstance, it’s the new “post-Marissa” circumstance.

There’s a bunch of ways to shake things up. Let’s look at a seemingly similar, but very different, way to do it:

The Vampire Diaries is essentially a high school show. But they didn’t want to leave the high school setting behind quite yet, so they changed the circumstance in a different way. In season 4, our main character Elena becomes a vampire. She spent the first three seasons as a human. She also spent the first three seasons romantically involved with Stefan. Come season 4 – she’s no longer human, and her romance with Damon is in full swing. Leaving high school seems like an obvious choice to shake things up, but by digging a little deeper, The Vampire Diaries was able to significantly shake things up, while still keeping their practical setting.

Upping the Ante

By this, we mean to make the stakes of the story that much more dire, that much bigger, that much harder and more intense. From a character point of view, they’ve gotta invest more, they’ve gotta have more to lose.

This means different things for different stories.

In Grey’s Anatomy season 4, our characters went from being surgical interns, to full-blown residents – in charge of their own interns. They moved up a level, and now things are that much harder and challenging.

When a story is based around careers, it’s very straight forward to up the ante in this way. But what about a different kind of story?

Supernatural season 4 ups the ante by introducing angels to the story. For the first era, it was humans fighting demons and monsters. By introducing angels to the story you have greatly expanded the mythos – significantly upping the ante. Especially considering that these angels have tasked the Winchesters with preventing the escape of the devil himself. This is huge for a couple of monster hunters. The stakes just jumped up a couple of levels as they go from two brothers hunting down urban legends, to straight up super heroes trying to save the world.

However you do it, whichever way is best for your story – you have to shake things up. This is usually done by changing the circumstances and upping the ante.